Masks of Noh theater, interpreted in varying degrees, often appear in the stylized Japanese interiors as exotic decor, emphasizing its originality and enriching it with its unique aesthetics. Conciseness and conventionality, which distinguish the interior of the classical musical drama of China have, in comparison with the Japanese, but a slightly different coloring: the design of the performances are magnificent traditional costumes ornamented draperies, patterned embroidery items props are authentic works of art. In Chinese Theatre scene indicated, basically, a separate part or expressive symbolic image: drawing of brickwork on the carpet replaces the image of the fortress, the appearance of waving black curtain stands the storm. However, the use of bright accent in the interior, which imparts the space of a certain color, and emotional, is one of the most popular and winning techniques of modern design. The unusual theatrical adaptations Oriental Theatre provides a wide scope for creative imagination. Representations of the Cambodian shadow theater, usually taking place in the pagodas during religious holidays are a combination of spectacular tricks of shadow theater and puppets: the shape of characters, made of deerskin, which is subjected to special treatment and becomes transparent, crumble into the red and green colors and are set before a special screen. During the presentation they cast colored shadows on the screen.
Spectacular play of shadow and light is often used in modern design - from modeling the interior to the copyright of installations on the Biennale. For example, the effects of the German lighting designer Ingo Maurer is hardly design - sometimes they are a huge representation in the water with lots of characters, colored lights and fire. Games, sometimes provocative presentation of the spatial composition - that is the main trait that unites design with the ancient and eternally young art theater. The birth of Harmony Oddly, but in France - the European heart of temptation, creative profession long known the right way. Explained it this bias: borrowed from English, the word "design" and its derivatives "designer" in place of the French language. Understanding the difference between professions, but not finding a worthy symbol of designers known decorators and set design. Perhaps because of This linguistic confusion and mixed face of trades and the notion of gaming space.
Europe XXI century with gusto and precision, as if participating in an exciting play, decorate everyday life: architecture, urban landscape, window-shopping for all the variety of styles does not seem random and harmoniously integrated into the overall context of the city. It can be likened to a huge stage on which, according to the laws of dramatic, even the most insignificant detail plays a role and serves as part of a single action. In a pulsating picture of a modern European city, like a good band, nothing should be false. Each object has its artistic sound - a total subordination to a single idea. Name the last (September 14 - November 23, 2008), XI Architecture Biennale - "Not there. Architecture beyond Building (Out There. Architecture beyond building), formulated the famous architectural critic Aaron Betski confirms the phenomenon of global, well-modeled space, atmospheres, flowing smoothly into one another. According to Juhani Palsmaa, Finnish architect and designer, house felt particularly strongly when you are peeping out from his hideout privacy ... but the architecture of the modern era ... weakens the tension between home and the world. " Architectural form begins to take - at least in the eyes of its creator - quality of truth, produced by the mind of man. Truth and all-consuming game of truth and drama ...
Spectacular play of shadow and light is often used in modern design - from modeling the interior to the copyright of installations on the Biennale. For example, the effects of the German lighting designer Ingo Maurer is hardly design - sometimes they are a huge representation in the water with lots of characters, colored lights and fire. Games, sometimes provocative presentation of the spatial composition - that is the main trait that unites design with the ancient and eternally young art theater. The birth of Harmony Oddly, but in France - the European heart of temptation, creative profession long known the right way. Explained it this bias: borrowed from English, the word "design" and its derivatives "designer" in place of the French language. Understanding the difference between professions, but not finding a worthy symbol of designers known decorators and set design. Perhaps because of This linguistic confusion and mixed face of trades and the notion of gaming space.
Europe XXI century with gusto and precision, as if participating in an exciting play, decorate everyday life: architecture, urban landscape, window-shopping for all the variety of styles does not seem random and harmoniously integrated into the overall context of the city. It can be likened to a huge stage on which, according to the laws of dramatic, even the most insignificant detail plays a role and serves as part of a single action. In a pulsating picture of a modern European city, like a good band, nothing should be false. Each object has its artistic sound - a total subordination to a single idea. Name the last (September 14 - November 23, 2008), XI Architecture Biennale - "Not there. Architecture beyond Building (Out There. Architecture beyond building), formulated the famous architectural critic Aaron Betski confirms the phenomenon of global, well-modeled space, atmospheres, flowing smoothly into one another. According to Juhani Palsmaa, Finnish architect and designer, house felt particularly strongly when you are peeping out from his hideout privacy ... but the architecture of the modern era ... weakens the tension between home and the world. " Architectural form begins to take - at least in the eyes of its creator - quality of truth, produced by the mind of man. Truth and all-consuming game of truth and drama ...
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